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The University Wits is a phrase used to name a group of late 16th century English playwrights and pamphleteers who were educated at the universities (Oxford or Cambridge) and who became popular secular writers. Prominent members of this group were Christopher Marlowe, Robert Greene, and Thomas Nashe from Cambridge, and John Lyly, Thomas Lodge, George Peele from Oxford. Thomas Kyd is also sometimes included in the group, though he is not believed to have studied at university. This diverse and talented loose association of London writers and dramatists set the stage for the theatrical Renaissance of Elizabethan England. They are identified as among the earliest professional writers in English, and prepared the way for William Shakespeare. ==Term== The term "University Wits" was not used in their lifetime, but was coined by George Saintsbury, a 19th-century journalist and author.〔Sager, Jenny "Melnikoff, Ed., Robert Greene", ''Early Modern Literary Studies''. Volume: 16. Issue: 1〕 Saintsbury argues that the "rising sap" of dramatic creativity in the 1580s showed itself in two separate "branches of the national tree": In the first place, we have the group of university wits, the strenuous if not always wise band of professed men of letters, at the head of whom are Lyly, Marlowe, Greene, Peele, Lodge, Nash, and probably (for his connection with the universities is not certainly known) Kyd. In the second, we have the irregular band of outsiders, players and others, who felt themselves forced into literary and principally dramatic composition, who boast Shakespeare as their chief, and who can claim as seconds to him not merely the imperfect talents of Chettle, Munday, and others whom we may mention in this chapter, but many of the perfected ornaments of a later time.〔George Saintsbury, ''History of Elizabethan Literature'', MacMillan, London, 1887, pp.60-64〕 Saintsbury argues that the Wits drew on the ploddingly academic verse-drama of Thomas Sackville, and the crude but lively popular entertainments of "miscellaneous farce-and-interlude-writers", to create the first truly powerful dramas in English. The University Wits, "with Marlowe at their head, made the blank verse line for dramatic purposes, dismissed, cultivated as they were, the cultivation of classical models, and gave English tragedy its Magna Charta of freedom and submission to the restrictions of actual life only". However, they failed "to achieve perfect life-likeness".〔 It was left to "the actor-playwrights who, rising from very humble beginnings, but possessing in their fellow Shakespeare a champion unparalleled in ancient and modern times, borrowed the improvements of the university wits, added their own stage knowledge, and with Shakespeare's aid achieved the master drama of the world."〔 The term "University Wits" was taken up by many writers in the 20th century to refer to the group of authors listed by Saintsbury, often using his basic model of dramatic development. Adolphus William Ward in the ''The Cambridge History of English Literature'' (1932) has a chapter on the "The Plays of the University Wits", in which he argues that a "pride in university training which amounted to arrogance" was combined with "really valuable ideas and literary methods".〔''The Cambridge History of English Literature'': General index, Volume 15, p.9〕 In 1931, Allardyce Nicoll wrote that "it was left to the so-called University Wits to make the classical tragedy popular and the popular tragedy unified in construction and conscious of its aim."〔Allardyce Nicoll, ''The Theory of Drama'', Thomas Y. Crowell, 1931, p.165〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「University Wits」の詳細全文を読む スポンサード リンク
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